Here some excerpts:
The Tube 800’s construction is solid and up to the same standard set by the company’s other heads. I have a good amount of experience with the brand, and a Markbass amp has never failed on me at a gig.
Interior construction is orderly and dense, and the hardware on offer is not luxurious, but it’s rugged and skillfully assembled.
One cool feature: The Markbass has two inputs, each with an associated gain control. While the amp does not have a two-channel preamp, it does allow a player to plug into each input and use them simultaneously. One of the inputs is a Neutrik Combo jack with switchable phantom power—perfect for a condenser mic or some upright pickups.
In fine Markbass tradition, the Little Mark Tube 800 proved itself a value-packed, versatile, and portable companion that did everything well. Check it out—less for the negligible tube preamp, and more because it’s voiced slightly outside the Markbass midrangey norm. Regardless, for the price, it’s deserving of a close look for a do-it-all, gig-bag-portable head.
Check out the full review online >>>CLICK HERE
Thanks to Markbass artist Marco Bachi and the whole Gaudats Junk Band for this very cool video playing the Nanomark 300 and the DV Micro 50 heads with their GJB Recycled cabinets (made from materials destined for the dump) feat Markbass and DV Mark custom speakers.
Markbass artist Tony Senatore plays a remake of the Cream classic "As You Said" on solo 12 string electric bass.
Markbass artist Ana Karina Sebastião Studio Session with and Paula Lima.
Amazing "popping" groove from Markbass artist Stanley Sargeant playing his Little Mark Tube 800 with New York 122 Ninja.
Markbass top-artist Michael League from Snarky Puppy talks about his new Markbass signature amp and cabs. Thanks to Premier Guitar.
New music from Markbass artist Evan Marien.
Here an in-depth interview to Markbass top-artist Mohini Dey by Australian Musician magazine.
Markbass artist Lorenzo Feliciati plays "Unchained Houdini" from his new album "Elevator Man".